
Looking back at past years,age 12 to be exact, I , like most people get a kick out of pondering the lineage of my musical preferences. I find some value in returning to and revisiting so-called "Gateway" bands that turned me onto other things I might have missed out on. Bands that I dread to think that might not be such a deep part of my fabric today. The Culprit:
Nirvana. Nirvana, they are what they are. You love them or you despise them. Either way, in the 7
th grade,
Nevermind was shooting to the top of the charts and it just caught me at the right time. There are more than a few catchy songs there and at the time my music collection was a couple of shoe boxes full of mix tapes my uncle Pete made for me. These tapes were chock full of '80's hair bands.
Whitesnake, Quiet Riot, Cinderella, Guns and Roses, Def Leppard, Poison, and
Van Halen all were represented. Other than these, I had a couple of
AC/DC cassettes my dad gave me and
Michael Jackson's
"Thriller". Nirvana just opened me up to a slew of new shit.
The Melvins, Sex Pistols, The Raincoats, Celtic Frost, Black Flag, The Germs, among other, were all names that
Kurt Cobain and
David Grohl would throw out in their interviews with
Circus and
Rolling Stone. Every penny I scrounged up would lure me down to the old
Harlequin Records or
Sound Barrier on a hunt for these new names. I'll always remember walking home from school after not eating my lunch at school for the past week so I could save the money and stop by the record store and buy
The Melvins "Houdini". the one band that really caught my attention though was
Sonic Youth. Watching
1991: The Year Punk Broke blew me away at that age. So I steadily started collecting every single piece of their history i could get my hands on. I kind of lost track of them after their album
"Washing Machine" which I was never too fond of. But no matter,
Daydream Nation and
Bad Moon
Rising were more than enough to make up for the direction they were heading in.
Ahh,
Bad Moon Rising, it's still my favorite to this day. One of my favorites' by any band really. It was this particular album that introduced me to a particular girl that I also have spent much time trailing throughout the years. That girl is
Lydia Lunch. You know, I'm no historian when it comes to her. I have had an on again/off again infatuation with Lydia. On my time line of iconic crushes she fits somewhere after
Samantha Fox,Ann and
Nancy Wilson,and
En Vogue and before
Wendy O Williams, Rozz Williams ,and
Amy Miret. I have collected her various albums ever since but by no means an impressive list. What I have I do love and as this is so, after putting it off for about a week, I'll get started throwing them out there.

Here is
"Queen of Siam", which if I'm not mistaken is her first solo album after
Teenage Jesus and the Jerks. It's amusing for what it's worth with a few great songs and a hilarious cover of
Dusty Springfield's "Spooky" which is kind of out of place.
Queen of Siam
"Drowning in Limbo" is actually a reissue that combines two great albums on in one place, the soundtrack for
"The Drowning of Lucy Hamilton" and one of my 2 favorites,
"In Limbo".
The Drowning... is a collaboration with
China Berg of the band
Mars, who'll pop up again in a bit. It 's dreary with a lot of droning clarinet.It's reminiscent of
John Zorn I guess which is a good thing by my standards.
In Limbo is performed with a more conventional band with
Thurston Moore on bass and more
John Zorn-
ish horns squealing throughout. It's the sonic equivalent of a rainy Sunday afternoon. Check out the song
"Some Boys", it's one of her best.
The Drowning of Lucy HamiltonIn Limbo
Next up is
"Honey Moon in Red" which features the one and only
Rowland S. Howard of the enigmatic
"Birthday Party"(who will surely make a proper appearance here eventually). This one is the real prize of this lot. It is a more fleshed out,less stark version of
In Limbo. while I love every last song on here, it cannot go unmentioned for the beauty lies in the sublime cover of the
Lee Hazelwood and
Nancy Sinatra duet,
"Some Velvet Morning".

For the longest time I mistook
R.S. Howard's voice to be
Nick Cave's, but that is a tangent that will be left to itself for now. If you only download one of these album, make it this one.
Honeymoon in Red
One tangent I will embark on is this.Since I mentioned
Lee Hazelwood and
Nancy Sinatra duets, check out this version of
"Sand" by
Einsturzende Neubauten. It's a beauty.
"Sand" by Einsturzende Neubauten
The last of these is a collection I came across last week called
"Hysterie". It's a retrospective that spans her involvement with
Teenage Jesus and the Jerks, 8 Eyed Spy, Beirut Slump, and a few other odds and ends. Unfortunately, neither this compilation nor I delve too deeply into her works with
"Clint Ruin" aka
J.G. Thirwell of
Foetus but I did choose to include their cover of
B.O.C.'s "Don't Fear the Reaper for it's own sake. Maybe
Stinkfist will end up here some other time?
Before I end this thing for the day, I want to share this last piece of the puzzle with you.
the
"No New York" compilation. The story goes like this:
Brian Eno was in New York to produce the new
Talking Heads album. He happened to be in the audience at a festival where a few of the New York's vaunted
"No Wave" bands were playing and came away impressed with some of them, namely
Mars, Teenage Jesus and the Jerks, D.N.A., and
James Chance and the Contortions. He offered to produce songs for these four groups and long story short,
No New York was born.
No New York
I'm not sure what tomorrow's going to bring. I've got a few direction i might head in. So stay tuned and thanks is due to all of you that return..........Troy